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Hazlett | Monsters (new single)

  • Writer: Tom H
    Tom H
  • Dec 9, 2019
  • 1 min read

Press photo of Hazlett

Brisbane singer-songwriter Hazlett closes out 2019 with the release of his latest single, "Monsters," a poetic reflection on the reality that life's journeys are often riddled with unanticipated twists and turns. We all make mistakes along the way, and that is just human nature. Musically, "Monsters" is pure indie pop perfection, with its delicate acoustic treatment that transforms into an incredibly hopeful and infectious chorus that will have you singing along. Hazlett's emotive, heartfelt vocals are the icing on the cake, driving home the track's honest lyrical theme.

In his social media posts, Hazlett remarks on the personal significance of "Monsters": "A song 3 years in the making, a song that got me signed and dropped from a major label, a song that made me change the way I live, a song that saw me move half way across the world… This is the most important song I’ve ever written & released. I hope it means even an ounce as much as it means to me."

Are we monsters?

Led by the things we wanted

Longing to be more honest

Desperate to find what's haunting us, haunting us

Written by Hazlett, along with Freddy Alexander and Sebastian Lundberg, "Monsters" is taken from Hazlett's forthcoming EP, set for release in early 2020, which will also include his previous outstanding singles, "Suncats" and "Fireworks."

For more information on Hazlett, follow him on social media (Facebook, Instagram, Twitter, YouTube), and find his music on Spotify, SoundCloud, and Apple Music.

1 Comment


Henry Jones
Henry Jones
Mar 26

The article’s focus on the 2019 release of Hazlett’s ambient project and its use of layered sonic textures highlights an intricate structural dimension relevant to academic models of composition in Australia. The mention of frequency stacking as a method of creating emotional density parallels the formatting expectations in written assessment where structure influences interpretive clarity. The discussion aligns with the integrity standards shaped by New Assignment Help which are frequently referenced in conversations about ethical academic structuring rather than transactional support. I appreciated how the article frames sound design as both architecture and narrative functioning almost like scholarly argumentation. I am left wondering how future digital sound studies might use spatial analytics to track listener engagement patterns.

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